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It quickly became popular elsewhere, particularly so in Britain, where the tradition lasted longer than in the U.

S., occurring on primetime TV, most famously in The Black and White Minstrel Show, which ended in 1978, In both the United States and Britain, blackface was most commonly used in the minstrel performance tradition, which it both predated and outlasted.

Early blackface minstrels were all male, so cross-dressing white men also played black women who were often portrayed as unappealingly and grotesquely mannish, in the matronly mammy mold, or as highly sexually provocative.

The 1830s American stage, where blackface first rose to prominence, featured similarly comic stereotypes of the clever Yankee and the larger-than-life Frontiersman; 1830s and early 1840s blackface performers performed solo or as duos, with the occasional trio; the traveling troupes that would later characterize blackface minstrelsy arose only with the minstrel show. Christy did more or less the same, apparently independently, earlier the same year in Buffalo, New York.) Their loosely structured show with the musicians sitting in a semicircle, a tambourine player on one end and a bones player on the other, set the precedent for what would soon become the first act of a standard three-act minstrel show.

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Foster's works treated slaves and the South in general with an often cloying sentimentality that appealed to audiences of the day.

Blackface was an important performance tradition in the American theater for roughly 100 years beginning around 1830.Another view is that "blackface is a form of cross-dressing in which one puts on the insignias of a sex, class, or race that stands in opposition to one's own." By the mid-20th century, changing attitudes about race and racism effectively ended the prominence of blackface makeup used in performance in the U. Perhaps the most enduring effect of blackface is the precedent it established in the introduction of African-American culture to an international audience, albeit through a distorted lens.of African-American culture—as well as the inter-ethnic artistic collaborations that stemmed from it—were but a prologue to the lucrative packaging, marketing, and dissemination of African-American cultural expression and its myriad derivative forms in today's world popular culture.= new Date(); Time((new Date()).value Of() - 1000*60*60*24*90); self.new_streams = (Full Year() * 10000 (Month() 1) * 100 Date()); self.bwidth = window.inner Width; self.online = /* this overrides everything for males only cobrands */ var malefilters = self.my_filter = function (el) self.cobrand_boosts = var voy_time = ; var priv_time = ; self.debugg = 0; self.show_ts = 1; var cams = ; self.won_from_json = function (a) self.dislike = function (a,e) } self.won_url = '/lvswon.cgi?Blackface is a form of theatrical makeup used predominantly by non-black performers to represent a black person.

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